General, New to Indian Music

Why do Indian musicians tune their instruments in front of the audience?

  • Author: Jameela Siddiqi

One famous story of an Indian musician tuning before his audience has now taken a permanent place in the annals of West-meets-Indian-music history: The year was 1971, the event was George Harrison's Concert for Bangladesh and the musician was none other than Pandit Ravi Shankar, who proceeded to tune his sitar on stage only to be completely taken aback by the thunderous applause which followed. Thankfully, a video recording exists of the maestro tactfully putting his new audience straight - linked at the end of this article.

Since musicians of all traditions have to tune their instruments (albeit behind the scenes) the question often arises why Indian musicians take so much time to tune up, and also find it necessary do so on stage in full view of their audience. But technical perfection is only half the reason for tuning. What the musician is really doing is tuning into the souls of listeners – preparing them and in return hoping to get inspiration as to how to proceed.

The musician also uses this time for some intense relaxation to allow an inspired choice. Although there may already be a tentative idea of the category from which to draw the raag (melodic structure), and it may be limited by the prahar (time of day or night), but the final choice is usually always made in these final few minutes before a performance.

The performance of the first raag often suggests to the musician what the second item should be. It may be drawn directly from the first piece or it may be a complete contrast. Again, this is entirely dependent on audience interaction. If the first raag has resulted in a somewhat solemn mood descending on the auditorium, then the musician may decide to lift that mood by embarking on something sprightlier for the second piece.

It goes without saying that an Indian classical musician need immense knowledge and a vast repertoire – all stored in the memory, ready for instant recall – in order to have the largest possible 'palette' from which to choose the most appropriate 'colours'. This tradition is not without some difficulty where Western media are concerned. Although it is now widely known that Indian classical music is largely an improvised art, it was not always entirely understood how a musician could not have prepared (and rehearsed) a particular raag in advance of the performance.

Until very recently, Western-style programme notes often demanded full details of the pieces that were going to be played and had some difficulty accepting the idea that the musician in question would 'just make it up' as the concert proceeded. Indian musicians seldom have an idea of what they're going to be playing, until they are in that situation and can feel what would be appropriate at a particular moment in time, in a specific space. For this reason, every live performance is absolutely unique and never to be repeated.

Listen to the music | Pandit Ravi Shankar at the 1971 Concert for Bangladesh ("If you appreciate the tuning so much, I hope you will enjoy the playing more..."):


Jameela Siddiqi is an author, linguist, and BBC cultural commentator, specialising in postcolonial fiction and the devotional music of South Asia. 

Darbar believes in the power of Indian classical music to stir, thrill, and inspire. Explore our YouTube channel, or subscribe to the Darbar Concert Hall to watch extended festival performances, talk and documentaries in pristine HD and UHD quality. 

Be notified when we add a new articles

Festival 2023

21-29 October 2023, Barbican Center

read more

buy tickets

Other articles you may like

12 Jul 2022

Rasa and Bhava: An explainer guide

Could Rasa and Bhava be the bedrock of modern-day Psychology? And how does music lead to religious enlightenment? Read More

31 Aug 2021

The cornerstone of Darbar: Bhai Gurmit Singh Virdee Ji

This longform piece into the depths of Darbar's origins represents the vibrant life history of the man behind it all. Read More

22 Jan 2022

Child Prodigies in Indian Classical Music

Is lost youth the cost of venerating young talent? Read More

New to indian Classical Music?

The beginner's guide to Indian classical music. Whether you’re completely new to raga music or just need a refresher, we’ve put together this brief overview of all things raga music to help you feel at ease when visiting one of our concerts or watch our videos on our YouTube or our Darbar Concert Hall.

read more



Follow us

Keep up to date with the latest news, events, music and musings across our social channels

YouTube latest

For hundreds more clips and shorts, vist our YT page here

Subscribe to our newsletters

Be the first to hear before events go on sale. Get the latest news and articles from Darbar