As a vocalist in the Karnatik tradition, T.M. Krishna’s musicality eludes standard analyses. Uncommon in his rendition of music and original in his interpretation of it, Krishna is at once strong and subtle, manifestly traditional and stunningly innovative.

As a public intellectual, Krishna speaks and writes about issues affecting the human condition and about matters cultural. Krishna has started and is involved in many organizations whose work is spread across the whole spectrum of music and culture. He has co-authored Voices Within: Carnatic Music – Passing on an Inheritance, a book dedicated to the greats of Karnatik music. His path-breaking book A Southern Music – The Karnatik Story, published by Harper Collins in 2013 was a first-of-its-kind philosophical, aesthetic and socio-political exploration of Karnatik Music. For this he was awarded the 2014 Tata Literature Award for Best First Book in the non-fiction category. His long-form essay MS Understood, for The Caravan was featured in The Caravan Book of Profiles, as one of their “twelve definitive profiles.” It has been translated into Tamil and published as a book ‘Katrinile Karainda Tuyar’ by Kalachuvadu Publications. His book ‘Reshaping Art’ published by Aleph Book Company in 2018, asks important questions about how art is made, performed and disseminated and addresses crucial issues of caste, class and gender within society while exploring the contours of democracy, culture and learning. His latest book Sebastian and Sons published by Context in 2020 traces the history of the mrdangam-maker and the mrdangam over the past century. It received the Tata Lit Live Award for the Best Non-Fiction book for the year 2020.

He has been part of inspiring collaborations, such as the Chennai Poromboke Paadal with environmentalist Nityanand Jayaraman, performances with the Jogappas (transgender musicians) and co-conceptualising and performing Karnatik Kattaikuttu, an unusual aesthetic conversation between art forms and communities that belong to two ends of the social spectrum.

His musico-poetic partnership with India’s leading contemporary Tamil writer Perumal Murugan, is unprecedented. Rarely has a poet and a musician who are contemporaries collaborated to bring out works of art on the ‘classical’ stage. He has also been a pioneer in bringing the poetry of the social reformer and philosopher Sree Narayana Guru into the karnatik fold. In collaboration with the Ashoka University, T.M. Krishna is now involved in The Edict Project, an attempt to reimagine Ashoka’s edicts in musical form. The project aims at creating vibrant aesthetic, socio-political and academic conversations around the edicts.

He is the driving force behind the Chennai Kalai Theru Vizha (formerly Urur Olcott Kuppam Vizha) and the Svanubhava initiative.

In 2016, Krishna received the prestigious Ramon Magsaysay Award in recognition of ‘his forceful commitment as artist and advocate to art’s power to heal India’s deep social divisions’. In 2017 he received the Indira Gandhi Award for National Integration Award for his services in promoting and preserving national integration in the country. In 2017, he has also received the Professor V Aravindakshan Memorial Award for connecting Carnatic music with the common man.