Designed for beginners, it helps fans of Indian classical music learn more about its theory and context.
Double bill concert featuting Jyoti Hegde (rudra veena) followed by Abhishek Raghuram (carnatic vocal)
One of India’s most remarkable maestros, Subhankar Banerjee strikes out with his bold yet crisp rhythms on the tabla.
For over six decades, Atre’s unique timbre and extraordinary artistry has won the hearts of audiences around the world
Double bill featuring Shashank, a household name in South India and Niladri Kumar provide enthralling musical flourishes
Nityanand Haldipur on the flute followed by Prem Kumar Mallick presenting the Dharbangha drupad vocal
Indian maestros consider the veena as the “mother” of all classical instruments, India’s most ancient string instrument is rarel
Bharatanatyam is the best-known of all South Indian classical dance forms originating from the state of Tamil Nadu...
One famous story of an Indian musician tuning before his audience has now taken a permanent place in the...
The conventions of concert etiquette for Western classical music are a little daunting. Don’t breathe heavily. Don’t sneeze...
How does Indian classical music differ from western classical music?
North Indian instruments – shehnai, the folk instrument made classical by one maestro
The many components that scale the heights of melodic and rhythmic intricasy in a typical recital of Carnatic music...
Rajendra Prasanna is one of India's hidden treasures when it comes to the flute.
Murad Ali, today’s most celebrated sarangi player, was born in a family of musicians originally from Moradabad....
Pushpraj Koshti is a leading exponent of the dhrupad style
A living legend of indian classical music
Maestro Swapan Chaudhuri is a phenomenon in the arena of Indian Classical Music.
Vocalist of the Jaipur – Atrauli Gharana
Guruprasanna Prasanna, Kanjira Solo Don't miss a beat...listen to Guruprasanna at this years Darbar Festival 2014 from 18-21 September at Southbank Centre
“An exhilarating experience...Wajahat’s virtuosity on the sarod can be taken for granted” - The Independent, London
Purbayan Chatterjee, who plays the sitar with a maturity beyond his years, takes the stage with Shashank, a child-prodigy of the south Indian flute
Tabla solo at Kamani Auditorium on 24th June 2011
Ashwini Bhide Deshpande is one of the finest classical musicians from the north Indian classical tradition.
2nd part & Finale of classic performance from the 2 masters at America's Carnegie Hall.
Sudha explains carnatic style of vocal and the difference with the khayal style
Step into Ravi’s lounge
Review by Jahnavi Harrison, 24 May 2014
On a cold winter evening in Bombay in the late 1990’s, after much hesitation he decided to give an interview in his house.
Swapan Chaudhuri, one of the world's greatest tabla players, celebrates his fiftieth birthday this year (1995)...
Darbar Festival gives exposure to Hindustani and Carnatic music and is now the largest of its kind outside India
Evening Standard, Critic Rating 5 stars
Squaring the sarod circle with Soumik
They receive a cash award of Rs. 3 lakh each, besides angavastram and tamrapatra