Pandit Das is now considered to be one of the main torchbearer of the sitar from the next generation...
Indian classical music has a built in pecking-order, not only based on the seniority...
North India’s most popular percussion instrument for devotional as well as classical music, the tabla consists of two drums...
Sawai Festival 2012 Blog by Kanwal
North Indian drums – pakhwaj, North India’s ancient drum, a vital part of dhrupad recitals
With its origins in central Asia and Afghanistan, the sarod has found a natural home in North Indian Classical music
If you caught Aruna Sairam at The Darbar Festival 2009, you would’ve seen a demonstration of how to count the beat...Read more..
South India veena: An ancient instrument considered fit for a goddess, goes on to enchant in modern times.
Why do music disciples (and others) touch the feet of Indian musicians?
Murad Ali, today’s most celebrated sarangi player, was born in a family of musicians originally from Moradabad....
Vocalist of the Jaipur – Atrauli Gharana
Pushpraj Koshti is a leading exponent of the dhrupad style
Prattyush Banerjee is a worthy torchbearer of the Senia-Shahjahanpur gharana made famous by the great Ustads
Pandit Dalchand Sharma
Dr. Ram Deshpande is one the most learned and respected artists of his time.
Tabla solo at Kamani Auditorium on 24th June 2011
Aruna Sairam is one of the best voices to emerge from the Carnatic tradition of southern India
9½ - 'vichitra chautaal' - Pakhawaj solo
2nd part & Finale of classic performance from the 2 masters at America's Carnegie Hall.
Bernhard Schimpelsberger talks about his passion for the tabla and his Guru, Pandit Suresh Talwalkar
Sit back and enjoy the sublime, meditative sounds of santoor played by the virtuoso talent of Rahul Sharma
Darbar Festival 2009 Aniruddha Bhattacharya | Khayal
One of the most senior exponents of the Santoor after his Guru, Pt Shiv Kumar Sharma
Darbar Festival gives exposure to Hindustani and Carnatic music and is now the largest of its kind outside India
Finding the hidden wiring between Indian and early music
Abraham Pandithar organised Sangam in 1921 and this was the blueprint for all music conferences that were to follow.
Step into Ravi’s lounge
On a cold winter evening in Bombay in the late 1990’s, after much hesitation he decided to give an interview in his house.
MUSIC Pandit Dal Chand Sharma on the character of sound and bringing the pakhawaj to centre-stage.
Evening Standard, Critic Rating 5 stars
They receive a cash award of Rs. 3 lakh each, besides angavastram and tamrapatra