Designed for beginners, it helps fans of Indian classical music learn more about its theory and context.
Double bill concert featuting Jyoti Hegde (rudra veena) followed by Abhishek Raghuram (carnatic vocal)
One of India’s most remarkable maestros, Subhankar Banerjee strikes out with his bold yet crisp rhythms on the tabla.
For over six decades, Atre’s unique timbre and extraordinary artistry has won the hearts of audiences around the world
Double bill featuring Shashank, a household name in South India and Niladri Kumar provide enthralling musical flourishes
Nityanand Haldipur on the flute followed by Prem Kumar Mallick presenting the Dharbangha drupad vocal
Apart from musical content and the esoteric concept of ras, Indian classical raags are also assigned to particular times...
Why do music disciples (and others) touch the feet of Indian musicians?
North Indian instruments – shehnai, the folk instrument made classical by one maestro
Indian classical music has a built in pecking-order, not only based on the seniority...
The word “Dhrupad” is derived from dhruv[a], meaning that which is “fixed” or “constant” and pad[a], meaning “word”...
Why is there a North Indian and a South Indian classical music?
The myriads of song forms that make up the life-blood of Karnatik music...
North Indian drums – pakhwaj, North India’s ancient drum, a vital part of dhrupad recitals
Pushpraj Koshti is a leading exponent of the dhrupad style
Murad Ali, today’s most celebrated sarangi player, was born in a family of musicians originally from Moradabad....
A living legend of indian classical music
Prattyush Banerjee is a worthy torchbearer of the Senia-Shahjahanpur gharana made famous by the great Ustads
India's great Khayal vocalist Manjusha Patil-Kulkarni talks about her music. Don't miss her rare morning concert at the Darbar Festival 2013
Aftaab-E-Sitar Ustad Vilayat Khan playing Bhairavi raga
Pandit Sharda Sahai Taal Concert
The premiere performance of Param Vir's composition of Darbar Chhayanat bringing together voices from opera and Hindustani Indian classical music.
Aruna Sairam is one of the best voices to emerge from the Carnatic tradition of southern India
Mridangam maestros talks candidly about the instrument and sadhana
Anupama Bhagwat - India's most fresh and heartfelt sitar maestros
Rajhesh Vaidhya playing the his modified, amplified Veena at the Darbar Festival at the Kings Place in London
Finding the hidden wiring between Indian and early music
Squaring the sarod circle with Soumik
Swapan Chaudhuri, one of the world's greatest tabla players, celebrates his fiftieth birthday this year (1995)...
Abraham Pandithar organised Sangam in 1921 and this was the blueprint for all music conferences that were to follow.
They receive a cash award of Rs. 3 lakh each, besides angavastram and tamrapatra
Step into Ravi’s lounge
Evening Standard, Critic Rating 5 stars
On a cold winter evening in Bombay in the late 1990’s, after much hesitation he decided to give an interview in his house.