Designed for beginners, it helps fans of Indian classical music learn more about its theory and context.
Double bill concert featuting Jyoti Hegde (rudra veena) followed by Abhishek Raghuram (carnatic vocal)
One of India’s most remarkable maestros, Subhankar Banerjee strikes out with his bold yet crisp rhythms on the tabla.
For over six decades, Atre’s unique timbre and extraordinary artistry has won the hearts of audiences around the world
Double bill featuring Shashank, a household name in South India and Niladri Kumar provide enthralling musical flourishes
Nityanand Haldipur on the flute followed by Prem Kumar Mallick presenting the Dharbangha drupad vocal
Main north Indian instruments – sarangi, from vocal accompaniment to a fully fledged solo classical instrument
Bansuri originates from the Sanskrit for wood, (bans) and the word for musical note[s], sur and is a generic term for any flute
North Indian drums – pakhwaj, North India’s ancient drum, a vital part of dhrupad recitals
With its origins in central Asia and Afghanistan, the sarod has found a natural home in North Indian Classical music
Paramhansa Yogananda (1893-1952) was an Indian yogi and guru that introduced many Westerners to the teachings of meditation...
As an ancient tradition, Indian classical music carries its own hereditary code of etiquette and...
North India’s most popular percussion instrument for devotional as well as classical music, the tabla consists of two drums...
Pushpraj Koshti is a leading exponent of the dhrupad style
Pandit Dalchand Sharma
Prattyush Banerjee is a worthy torchbearer of the Senia-Shahjahanpur gharana made famous by the great Ustads
A living legend of indian classical music
Maestro Swapan Chaudhuri is a phenomenon in the arena of Indian Classical Music.
Sit back and enjoy the sublime, meditative sounds of santoor played by the virtuoso talent of Rahul Sharma
Pushpraj Koshti plays Raga Sindhura (last part of composition)
One of the most senior exponents of the Santoor after his Guru, Pt Shiv Kumar Sharma
Playing at the Darbar Festival at the Kings Place in London on April 2nd 2010
One of the worlds most exciting and senior Tabla master performs tabla solo.
Pandit Yogesh Samsi talks about what is a tala and about his love and devotion to his Guru, Ustad Alla Rakha Ji.
Rajhesh Vaidhya playing the his modified, amplified Veena at the Darbar Festival at the Kings Place in London
Squaring the sarod circle with Soumik
Step into Ravi’s lounge
On a cold winter evening in Bombay in the late 1990’s, after much hesitation he decided to give an interview in his house.
They receive a cash award of Rs. 3 lakh each, besides angavastram and tamrapatra
Review by Jahnavi Harrison, 24 May 2014
Finding the hidden wiring between Indian and early music
Abraham Pandithar organised Sangam in 1921 and this was the blueprint for all music conferences that were to follow.
Swapan Chaudhuri, one of the world's greatest tabla players, celebrates his fiftieth birthday this year (1995)...